The fourteen stories in this book span six decades—from 1903 to 1957 or even later—and represent every phase of Forster's career as a writer. Only two have ever been published and those only in magazines to which few people have easy access. Two very different reasons caused the other twelve to remain unpublished in Forster's lifetime. One was his diffidence which in his earlier years led him to belittle work that had failed to find immediate acceptance. There are four such stories in this volume and it is hard today to understand why they were rejected by the same editors who were publishing his other early work. The remaining stories were disbarred from publication by their overtly homosexual themes; instead they were shown to an appreciative circle of friends and fellow writers including Christopher Isherwood Siegfried Sassoon Lytton Strachey and T. E. Lawrence who considered one story "the most powerful thing I have ever read." The stories differ widely. One is a cheerful political satire; another has most unusually for Forster a historical setting; a third is the fictional equivalent of one of those comic picture-postcards that so delighted George Orwell. Others give serious and powerful expression to some of Forster's profoundest concerns. The significance of these stories in relation to Forster's famous abandonment of the novel is discussed by Oliver Stallybrass in his introduction. "[These stories] are often brilliant aware both of the strictly contemporary...the contrast between Greek and Christian; between 'Goth' and Christian; between spontaneity and duty in matters sensual and instinctive. In short they bring up all Forster's usual preoccupations and at the same time orchestrate the new song and play it loud and clear." —World —From the dust jacket flap
